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<p style=”color: #999999;”>Dojo Studios is an audio production house  set up by Joe Lewis in September 2001.</p>
<p style=”color: #999999;”>Recent clients have included: BBC, TCM, ESPN, Kanal 5, Channel 4, Al Jazeera English, Roger Sanchez, Ministry of Sound, The Telegraph, Sky, Tourist with a Typewriter and Time Magazine.</p>
<p style=”color: #999999;”>
<p style=”color: #999999;”>If you require any information about Dojo Studios, Joe Lewis and/or their services please email: <a href=”mailto:joe@dojostudios.com”><span style=”color: #808080;”>info@dojostudios.com</span></a></p>

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<strong>Showreel:</strong>

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<strong>Latest News:</strong>

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<b>Tell Spring Not to Come This Year Comes to Netflix</b>

Dojo Studios’ last collaboration will be available on Netflix from 1st August 2016. An important, beautiful and relevant film, we are exceptionally pleased of what Saeed and Michael have achieved. Joe Lewis’s score has also been be extremely well-received in the press which is an added bonus in our eyes!

‘Joe Lewis’ score lends subtle and powerful accompaniment..’ –  Mark Kermode in 2015 Observer review of Tell Spring Not to Come This Year

‘…the sparse beauty of the score enhances a film without rhetoric but huge soul’ Judging Panel One World Media Awards

<a href=”https://vimeo.com/115809611″>Watch the trailer HERE</a>

World Premiere &amp; winner of two awards, Berlinale 2015

Grand Prize, DocumentaMadrid 2015

“A powerful, beautifully shot documentary…” ★★★★ (The Guardian)

“They have gone where few directors dare to venture.” (Hollywood Reporter)

“Even the most visceral of Hollywood war movies don’t come close.” (The List)

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<strong>The Real Story of The Last Panthers</strong>

Joe recently score for three short films for the Telegraph on the real story behind Sky Atlantic’s explosive new drama The Last Panthers.

<strong>How the Pink Panthers stole a $31m necklace – </strong><a href=”http://www.telegraph.co.uk/sponsored/culture/last-panthers/11965143/how-pink-panthers-stole-a-31m-dollar-necklace.html”>http://www.telegraph.co.uk/sponsored/culture/last-panthers/11965143/how-pink-panthers-stole-a-31m-dollar-necklace.html</a>

<strong>The brotherhood that inspired The Last Panthers – </strong><a href=”http://www.telegraph.co.uk/sponsored/culture/last-panthers/11965124/the-brotherhood-that-inspired-the-last-panthers.html”>http://www.telegraph.co.uk/sponsored/culture/last-panthers/11965124/the-brotherhood-that-inspired-the-last-panthers.html</a>

<strong>The new jewel thieves inspired by the Pink Panthers – </strong><a href=”http://www.telegraph.co.uk/sponsored/culture/last-panthers/11965167/jewel-thieves-inspired-by-pink-panthers.html”>http://www.telegraph.co.uk/sponsored/culture/last-panthers/11965167/jewel-thieves-inspired-by-pink-panthers.html</a>

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<span style=”color: #808080;”><strong>Tell Spring Not to Come This Year premieres at The Berlin International Film festival</strong></span>
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We have just finished composing the music and sound supervising a documentary called ‘Tell Spring Not to Come This Year’. Directed by longtime collaborator Saeed Farouky and a relative newbie Mike McEvoy. It is also worth mentioning the film was edited by Gareth Keogh who between the three of us I think we’ve made seven documentaries in the past ten years.

Shot in Afghanistan the film follows a year in the life of the Afghan National Army after the withdrawal of ISAF and NATO forces last year. We cut a short version of the film for the New York Times late last year which can be reached by clicking on the link below:

<a title=”NYT Afghan Short” href=”http://www.nytimes.com/2014/12/16/opinion/an-army-for-afghanistan.html?smid=pl-share” target=”_blank”>http://www.nytimes.com/2014/12/16/opinion/an-army-for-afghanistan.html?smid=pl-share</a>

<img src=”https://d324imu86q1bqn.cloudfront.net/uploads/asset/attachment/2101488/optimized.jpg” alt=”201504605_3_IMG_FIX_700x700.jpg” />The full film, which we post produced at Goldcrest Post in NYC earlier this year, premiered at the Berlin International Film Festival, where it won the Amnesty and Panorama Audience Award. The reception has been awesome and I’ve got to say that I’m quite proud of the score on this one. It was tough but rewarding. More importantly, I am glad that the risk the directors took in trying to bring the reality of the continuing conflict in Afghanistan into public view.

A trailer for the film can also be reached <a href=”https://vimeo.com/115809611″ target=”_blank” rel=”nofollow”>here</a>.

Some reviews:

<a href=”http://www.maxim.com/maxim-man/article/shooting-under-fire-afghanistan%E2%80%99s-most-dangerous-province” target=”_blank” rel=”nofollow”>Maxim</a>
<a href=”http://www.cine-vue.com/2015/02/berlin-2015-tell-spring-not-to-come_8.html?m=1″ target=”_blank” rel=”nofollow”>Cine Vue</a>
<a href=”http://www.hollywoodreporter.com/review/tell-spring-not-come-year-771104″ target=”_blank” rel=”nofollow”>Hollywood Reporter</a>

For more info check:

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